The branch that held my friend let him go when I wasn't looking. I can look up and reach all I want, but all I'll find is branch, and the very ground I stand on to do so is where he is now.
The problem is, I keep walking past this metaphorical tree and not looking; the synapses in my brain that trigger loss have withered from non-use. This is a blessing and a curse. This is my first major loss of a person I knew intimately, loved deeply, a person whom I wanted to share my life before, during and after romance, a person whose life was so precious to me that I spent time actively fearing his death. Those synapses withered because I made it this far without that kind of loss: blessing. But now I can't seem to bring his death into my everyday life: curse. This feels like a betrayal of how much I loved him. I should be wracked, wrung out, a wreck, because I loved him that much, and instead, I drink my coffee and I coach my team and I send emails to his friends speaking the language but not feeling the emotions.
I know that no grieving process is wrong, that everyone does it differently. But I want my grief to equal the loss of him, an oceanic grief where his shade haunts me, and instead I have a shallow and muddy puddle.
I know in his pragmatism he'd say "House, chop wood, carry water." He always did seem bemused by my ability to overthink emotions, and to an extent I am most certainly trying to find wood in the well and chop water into logs. But I am disappointed in this grieving process, as absurd as that is. There are a lot of ifs -- if I hadn't just had a baby, if I hadn't just started a job, if I hadn't just moved to Connecticut, if I had still seen him regularly, if I had the time and the space -- I would engage the tragedy in a way that feels appropriate to its magnitude.
Instead I'm taking a stolen moment to write a blog entry. Chad, are you laughing at me? I'm sure you are, in your caustic way.
I feel lucky that the last time I saw him was in New Mexico. I close my eyes and think of him and I smell new-fallen snow and pine trees. I see him, hungover in oversized snow boots and his Wesleyan sweatshirt, trudging through the snow to show us his property: the fences he repaired, the shooting ranges, the marker for his parents' graves. I hear the way he snorted in air periodically, see his jaw lock as he aimed his gun, watch his casually down-cast eyes trace the path ahead of him, the solicitous tone to his voice, the sarcastic tone to his laugh. I'm glad it's not Wesleyan, or San Francisco, or New York, or Chicago I remember first. I'm glad I see a winterized desert landscape, boundless and bare, where the lone and level landscape stretches far away.

"I met a traveler from an antique land..."
Perhaps this is only words and not emotion, but it is lovely and touching, nonetheless.
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